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Ireland Round Up, Art Monthly, Issue 379, Dec 2013 -Jan 2014

Phil Collins at The Model; ‘In the Line of Beauty’ at IMMA; Santiago Sierra at Void, Derry; and Willie Doherty at  City Factory Gallery.

Featured Image: Santiago Sierra, Veteran of the War in Northern Ireland Facing the Corner, October 2013; image courtesy of the artist and VOID Gallery.

http://www.artmonthly.co.uk/magazine/site/issue/dec-jan-13-14

Extended Essay – ‘Memorial to the Victims of Abuse While in Residential Care’, publicart.ie, November 2013

 

 

 

 

 

 

 

Link to article on publicart.ie

http://www.publicart.ie/main/thinking/writing/writing/view//292a91ec0db768523e90722a44a43a95/?tx_pawritings_uid=3

Radio Broadcast for Resonance Fm

Image – Aiden Doran, ‘Factory Queens’, 2013

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Report – ‘Partition’ seminar , VOID Derry (16th-17th July 2013), Visual Artists’ News Sheet, Nov/Dec 2013

‘Partition’: Image Courtesy of Paola Bernardelli

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‘Labour and Lockout…’, Limerick City Gallery of Art, Visual Artists’ News Sheet, Nov/Dec 2013

Labour and Lockout …formed part of a nationwide, labour-themed visual arts programme, devised in response to the 1913 Lockout centenary, marking this pivotal moment in Irish labour history with representations of work in contemporary art. The exhibition, augmented by the ‘Land / Labour/ Capital’ seminar (devised in collaboration with Goldsmiths’), reflected on contemporary labour conditions, against the backdrop of ‘precarity’ prevalent under late capitalism.

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‘Momentous Times’, C.C.A Derry-Londonderry, Art Monthly, Issue 370, October 2013

PDF – Momentous Times, Art Monthly, Issue 370

Bringing together a range of aesthetic and dialogical practices, ‘Momentous Times’ seeks to examine the relationship between art and the shifting forms and conditions of labour. The curatorial vision for the exhibition does not gloss over the complexity of this discourse; rather it provides multiple points of access, employing useful categorisations of artworks across historic, present day, futuristic and abstract spectrums. As a result, the depth of inquiry is far-reaching, and the exhibition – which is supplemented by two forums, three screenings and a publication – evokes reflection on a broad ‘labourisation’ of culture as it is represented in contemporary art.

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‘Perspectives on the Domestic’ (pg. 28), PRODUCTION zine, The Future State, Goldsmiths, for the Land/Labour/Capital seminar, 25th – 27th September, LCGA

PDF – PRODUCTION zine, Goldsmiths

Catalogue Text – ‘Flux: Exhibition of Contemporary Clay’, Niland Gallery, Galway, (19th September – 13th October 2013)

Following on from the successful 3×2: Exhibition of Contemporary Clay, this current showcase of Irish and international artists aims to further probe the shifting parameters of contemporary clay practice.  The choice of terminology is significant here, with ‘clay’ denoting not just the medium of focus, but a direct and immediate engagement with material. This pre-occupation with materiality, while reaching beyond the traditional confines of the craft genre, seeks to retain a vital connection with its inherent processes and historical legacies.

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Michael Warren ‘All on That Day’ (13th July – 14th September) The Dock, Carrick on Shannon, Co. Leitrim.

Sinnerman Installation

Three monumental beams of wood assemble solidly at the foot of the staircase towards The Dock. This minimalist, sculptural gesture typifies artist Michael Warren’s ongoing pre-occupation with materiality and scale in relation to site.

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Catalogue Text – Alan James Burns, ‘He’, The Lab, Dublin, June 2013

He

                                                                                                                                                                                                                                       Alan James Burns’ artistic practice encompasses a range of performance, film, audio and installation processes.                                                                                                                                                                                                            Thematically his work has been broadly informed by the principals of behavioural psychology – a branch of early 20th century psychology which was displaced by the ‘cognitive turn’ of the 1950’s.

Previous work has drawn on the relationship between behaviour and environment, considering the mechanisms of habit, predictability, conditioning, free-association, repetition and ritual.  

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‘Performance Conditioning’ PDF


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